• Adobe Photoshop Elements Serial Number

You will be asked to authorize Ozone 7 Elements the first time you open it. Please use your name, preferred e-mail address, and serial number to authorize the software. * Blue Yeti bundles previously contained Nectar Elements instead of Ozone 7 Elements. If your bundle includes Nectar Elements, the setup steps are the same as above.

• Software >Plug-in

With up to 13 different processing tools available, if Nectar 2 can't make your vocal track sound good, nothing can!

Nectar, reviewed in SOS March 2011 (/sos/mar11/articles/nectar.htm) was originally developed by iZotope as a comprehensive toolkit of vocal production elements wrapped into a single plug-in environment. Like the original, the new version 2 of the Nectar plug-in contains 11 separate processing sections, but the palette has been changed slightly, and now comprises Harmony, Plate Reverb, FX, Pitch, Delay, De-Esser, Saturation, Compressors, Gate, EQ and Limiter. The update also sees these functions joined by two separate plug-ins as part of a more upmarket Production Suite version. One of these is based on the section of the original plug-in that dealt with controlling the level of breaths,In Overview mode, you see simplified versions of all 11 processing modules with just a handful of controls. while the second new plug-in caters for offline pitch editing and correction.

Nectar 2 is a cross-platform plug-in that works in RTAS, AudioSuite, VST2, VST3, Audio Unit and AAX formats, including the 64-bit AAX protocol used by Pro Tools 11, and is authorised online or to an iLok key.

In The Dark

Other than Breath and the offline pitch editing, Nectar still opens as a single plug-in window, this time with a slightly larger, redesigned graphic interface that bears an obvious family resemblance to iZotope's Ozone 5 and Alloy 2 all-in-one processing plug-ins. Though it looks quite different from the previous version, being darker and considerably less orange, Nectar 2 remains, in the main, easy to navigate, as most of the text is white on a very dark grey background. However, iZotope have succumbed to the temptation to make just a couple of things in the meter section black on a dark grey background, rendering them almost invisible under anything other than ideal viewing conditions. I don't know why extremely dark GUIs are currently in vogue but I'm not altogether in favour; I'm all for style but not if it gets in the way of functionality!

Apart from having the spectrum analyser/EQ screen at the top rather than the bottom, Nectar 2 actually works in pretty much the same way as before. A browser is used to select presets from drop-down menus classified by musical genre, and there are over 150 new presets in version 2. As with the previous version, a large number of 'macro' presets can be called up by the user and then adjusted in an Overview mode using a manageable number of controls, making it well suited both to professionals who need results in a hurry and those less experienced users who are not so confident about their processing skills. Each preset calls up the required combination of the individual processing sections and their settings and the simplified Overview controls let you switch individual processing modules on and off and adjust key elements of the sound. In Overview mode, a single slider might actually adjust several parameters behind the scenes, and the controls are often named after terms producers might use; instead of being presented with a shelving high EQ, for example, you might be invited to adjust a control called Sparkle.

Clicking the Overview button brings up an Advanced mode for deeper editing, which brings access to the individual controls of each section in about the same depth as you'd expect to see for conventional plug-ins. In Advanced mode the various processing modules can also be reordered by dragging and dropping to create custom signal flows, while in basic mode all you can do is switch individual modules on or off and adjust the basic front-panel controls. The lower DSP, lower-latency Tracking mode has been retained as an alternative to the 'full fat' Mixing mode, the latter using lookahead where necessary to fine tune the processing at the expense of slightly higher latency. Metering is included for the inputs and outputs along with level controls as before, but if you already own iZotope's Insight metering plug-in, this can also be viewed from within Nectar 2.

Sweet Harmony

The headline addition in version 2 is an automatic harmony generation module. Advanced mode lets you edit the parameters of an individual module in more detail. This is the new Harmony module.This works as well as most such devices, and can sound reasonably natural as long as you sit the harmonies behind the main vocal rather than featuring them too strongly — they can start to sound obviously 'electronic' if turned up too far. The algorithm is able to make a guess at suitable notes by analysing the main vocal melody, but where it can't do this correctly, you can input your own choice of key or enter your own scale data on a miniature keyboard display. Depending on the song's chord structure, a single harmony setting may or may not work, so you might find yourself having to break the vocal part up across several tracks and then apply a different harmony setting to each section to make it fit the song. Alternatively, you can use MIDI to force it to generate specific harmony notes as long as your host allows MIDI to be sent to audio processing plug-ins (Logic, for insance, still doesn't let you do this). Up to four harmony voices can be created, and the gain, pan, delay and other parameters of the individual harmony parts can be adjusted using an X/Y control pad. Parts can also be set to unison and detuned or delayed slightly to give a layered vocal effect.

Updated pitch-tracking algorithms are used both in the harmony and pitch correction sections. The original Nectar Pitch Correction module was clearly based on the classic Auto-Tune paradigm, employing a correction speed control that determined how quickly the pitch was brought to match the closest target scale note. The new version looks rather different, but does more or less the same job. You can choose from a variety of preset scales or create custom scales, and as ever, fast correction speed settings give you the familiar 'hard-tuned' robotic sound with slower speeds sounding more natural. There's also the option to preserve the formant of the processed vocal, which is useful when creating harmonies.The Production Suite includes a new offline pitch processor reminiscent of Celemony's Melodyne.

The new off-line pitch editor bundled with the Production Suite is reminiscent of a simplified version of Celemony's Melodyne Plug-in. Audio must first be loaded into the plug-in; it is then passed to the offline editor, and kept in sync with its correct DAW timeline position using ReWire. This works perfectly well and is a useful tool to have on your side if you don't have Melodyne, though Melodyne does offer a greater degree of control to include things like pitch droop and note length.

Deep Breaths

The Breath control module has also been turned into a separate plug-in, apparently because it requires lookahead to work and so incurs additional latency, which made the original Nectar plug-in less suited to being used during tracking. It works much as it did in the earlier version of Nectar and is useful for taming excessive breaths without losing them altogether, something that is tedious to do manually. Once the threshold is set, the process is reasonably forgiving of normal changes in vocal level. The gain-reduction line superimposed on the waveform display shows where the process is being applied. You can also audition only the detected breath sounds to make sure you're not eating into anything you shouldn't.

The revamped reverb module in Nectar 2 emulates an EMT 140 stereo plate reverb unit, and is a definite step up from the original Nectar reverb, getting very close to that vintage plate sound — always a favourite on vocals. There are relatively few controls in Advanced mode but there's everything you need to get the job done, including pre-delay, reverb decay time and wet/dry mix, with a graphic display of the reverb tail or audio spectrum.

Delay likewise remains a key effect in just about any type of vocal processing, and here the delay itself can be modulated or flavoured with controlled distortion as well as having all the expected controls for delay time, feedback and so on. Delay times can be sync'ed to host tempo when necessary, but there's no tap tempo facility, which I would have found useful when working on material recorded 'free' of the grid. Five saturation models named Analogue, Retro, Tape, Tube and Warm allow coloration to be added to the delays. A conventional expander/gate is available to mute low-level noise, and now has a variable attenuation setting. The limiter is quite conventional and seems to be the same as in the earlier version.

The De-Esser section models the classic Dbx 902 split-band de-esser, so called because it compresses only frequencies above the split point when a sibilant is encountered. It isn't clear whether it works differently from the one in the original Nectar — I couldn't hear any difference in the end result, and it does a good job unless the sibilance is really pronounced. A single slider controls the amount of sibilance reduction, and in Advanced mode you can set your own de-essing frequency, this time via a draggable line in its display window rather than a physical slider. This section works very effectively providing you don't overdo the processing to the point where you give the singer a lisp.

The Compressor module is largely unchanged, with four compressor types (Digital, Vintage, Optical and Solid State), plus switching for RMS or peak side-chain detection and a graphical display of the compressor curve. Parallel compression is available via a Mix control, and in this new incarnation it is also possible to set up two different compressors in parallel, the controls for each being selected via Compressor 1/2 tabs. The Advanced version of the Saturation module also offers a wet/dry mix control for parallel distortion treatments, which can be particularly effective for thickening rock and urban vocals. There are also more aggressive digital distortion options for when you want something that sounds just plain nasty.

In the EQ section, iZotope's original parametric equaliser algorithms are now augmented by new Baxandall and Pultec-style filters. Finally, new to Nectar 2 is a general 'FX' module. This has four subsections that cover modulation effects such as phasing and chorus plus Distortion, Decimate (downsampling) and a type of stutter delay called Shred.

Honey Trap

I recall being rather impressed by the first version of Nectar; the presets alone could bring a smile of instant gratification to your face. Incarnation two delivers more of the same, but with a cleaner interface layout and some worthwhile improvements and augmentations. Harmony is a great addition, and while the FX section offers mainly familiar effects, it is good to have it on board.

Inevitably there are some presets that seem a touch over-processed, but you can either skip these or dial back the settings to a more sensible level. Building some of these treatments from scratch would take a lot of time and skill, so although an experienced DAW user may be able to get similar effects by combining existing plug-ins, Nectar 2 can still be a great time-saver for the busy professional and is most definitely not just a tool for beginners. Advanced edit mode isn't particularly scary, so I'd encourage all users to venture in there from time to time as you can't break anything. Even so, the simplified Overview mode will give you an ample degree of control in many instances. For me, the vastly improved reverb alone makes the upgrade worth the ticket price, and I'm sure users will also have a lot of fun with the auto harmony capabilities.

Alternatives

All the individual components of Nectar have numerous equivalents, but there are far fewer choices when it comes to all-in-one solutions. Check out Toontrack's EZ mixing tools and Waves' various producer signature collections for the nearest equivalents.

Pros

• A versatile toolkit of vocal processing tools accessed from one plug-in window and saved as a single plug-in setting.
• Very easy to use, even in Advanced mode.

Cons

• Usefulness of the presets is necessarily limited by their being somebody else's idea of what is needed, but if you're prepared to adjust them or delve into Advanced mode from time to time, that won't be a restriction.
• No delay tap tempo.

Summary

Nectar 2 is a well thought-out set of vocal processing tools, presented in a format that should suit both experienced users in a hurry and those new to mixing. The new reverb sounds pretty authentic, and the automated harmony generation can be useful as long as it's used sparingly.

Overview

Vocal Assistant analyzes your vocal in real time to determine ideal settings for a polished vocal sound. It combines your input selections with intelligent analysis to tailor the processing to your vocal.

In order to intelligently provide settings suited to vocals, we trained a neural net classifier on a variety of vocal samples to identify common vocal characteristics. This neural net data is used in Vocal Assistant to map and inform the settings applied to your vocal during analysis.

Workflow

Upon opening Nectar Elements, the Vocal Assistant selection screen will appear.

Processing Options

You can inform the results of Vocal Assistant processing by changing the Vibes and Intensity settings.

Vibes

Informs the initial EQ and Dynamics settings applied to your vocal.

Intensity

Determines the amount of processing applied to your vocal.

Vocal Assistant Analysis

After making your selections, play audio in your DAW and click the “Go” button to start Vocal Assistant.

Note

• Vocal Assistant needs audio input: Make sure you are playing audio in your DAW.
• Vocal Assistant needs time to analyze your vocal. If you are trying to run Vocal Assistant on a clip shorter than 20 seconds, you should enable loop playback before starting Vocal Assistant.

Processing Steps

Below is an outline of the steps Vocal Assistant works through during the analysis of your vocal track.

• Analyzing vocal signal to determine optimal settings: Vocal Assistant analyzes your vocal to identify characteristics that will inform the processing applied in the subsequent steps.
• Applying settings based on vocal content: Vocal Assistant applies an initial “character” EQ curve and Dynamics settings. These settings are based on a combination of the Vibes and Intensity selections and the results of vocal content analysis.
• Detecting vocal register to optimize pitch correction: Vocal Assistant analyzes pitch information in your vocal track and uses that information to set the vocal register (range) for pitch correction processing.
• Learning subtractive EQ parameters to improve clarity: Vocal Assistant learns the frequency content of your vocal and sets subtractive EQ bands to frequency values that will help to improve clarity.
• Detecting vocal sibilance to set de-esser: Vocal Assistant analyzes the frequency content of your vocal for harsh, sibilant frequency content. If sibilance is detected, Vocal Assistant will set the optimal cutoff frequencies and threshold value for de-essing.
• Applying dynamics for a controlled output level: Vocal Assistant sets a compressor threshold value in order to control the output level of your vocal.
• Adding subtle reverb to add a sense of space: Vocal Assistant applies a subtle reverb to your vocal to add a sense of space.

When the analysis pass is complete, Vocal Assistant will automatically progress to the next page.

Controls

After analyzing your vocal, you can scale the amount of processing applied by Vocal Assistant, adjust output gain, view metering information, bypass processing, or return to the processing option page to re-run Vocal Assistant with different Vibes or Intensity selections.

Macro Scale Controls

You can scale the amount of processing applied to your vocal by adjusting the macro scale sliders that appear after Vocal Assistant has finished analyzing your vocal.

Clean Up

Polish

Start Over

You can return to the processing options screen and change your Vibes or Intensity selections and restart Vocal Assistant by clicking the “Start Over” button in the top bar of the plug-in interface.

Output Controls

Output Gain

Adjusts the amount of gain (dB) applied to the output signal (after processing).

Bypass

Disables all Nectar Elements processing.

Meters

Spectrum Analyzer

Displays the real-time frequency spectrum of the processed output of Nectar Elements.

Output Level

Displays the Peak+RMS output level of Nectar Elements. The clip indicators at the top of the meters will turn red when clipping occurs. You can reset the clip indicators by clicking on them.

Authorization

The first time you open Nectar 3 Elements, the Authorization window will appear.

The Authorization window allows you to:

• TRIAL: Start or continue a Trial period evaluation prior to purchasing
• DEMO: Continue evaluating the product with Demo limitations (after the 10 day Trial period has been exceeded)
• AUTHORIZE: Authorize the product with a serial number

Trial and Demo Modes

A 10 day trial period will start when you first open the Nectar 3 Elements plug-in. After the 10 day trial period has expired, Nectar 3 Elements will enter demo mode. To disable Trial or Demo mode, you must authorize the product with a valid serial number.

Trial Mode

Adobe Photoshop Elements Serial Number

Trial mode begins when Nectar 3 Elements is first instantiated in a DAW/NLE. The authorization wizard window will display the number of days remaining in your trial period.

Clicking on the “Continue” button will dismiss the Authorization window and allow you to continue evaluating Nectar 3 Elements in trial mode.

Demo Mode

After 10 days, Nectar 3 Elements will operate in Demo mode. Nectar 3 Elements will periodically output silence when operating in demo mode. If you would like to continue evaluating Nectar 3 Elements in demo mode, click the “Demo” button.

Authorization Methods

There are three methods for authorizing Nectar 3 Elements:

• Online Authorization: Use this method to authorize Nectar 3 Elements on a machine that is connected to the internet.
• Offline Authorization: Use this method to authorize Nectar 3 Elements on a machine that is not connected to the internet.
• iLok Authorization: Use this method to authorize Nectar 3 Elements using an iLok.

Authorization Support

For information on authorization, please visit the iZotope website: https://www.izotope.com/authorization

For additional help with authorizing Nectar 3 Elements:

• Check out the Customer Care pages on the iZotope website: http://www.izotope.com/support
• Contact our Customer Care department at support@izotope.com
  

More information on iZotope’s Customer Care department and policies can be found in the iZotope Customer Care chapter.

Options

You can access the options menu by clicking on the gear button in the upper right hand corner of the plug-in interface.

The options menu allows you to:

• Enable/disable sending anonymous usage data to iZotope to help improve our products.
• Manage your Nectar Elements authorization.

Purchasing Nectar 3 Elements

If you are using the demo version of Nectar 3 Elements and would like the full version, you can purchase Nectar 3 Elements direct from the iZotope online store: www.izotope.com/store

Once your purchase is complete, you will be sent an email confirmation and a full version serial number that can be used to fully authorize your current installation of Nectar 3 Elements.

iZotope Customer Care Policy

iZotope is happy to provide professional technical Customer Care to all registered users absolutely free of charge.www.izotope.com/support/contact/index.php

We also offer valuable pre-sales technical Customer Care to customers who may be interested in purchasing an iZotope product. Before contacting iZotope Customer Care, you can search our Product Knowledgebase to see if the solution to your problem has already been published.

How long does iZotope provide customer support for purchased products?

You can email us with any question for 12 months after you buy any iZotope product. Past 12 months, we’ll still help you with your account and authorization but will not provide technical support for in-depth product questions. If you need more detailed help on how to use the product, please check out our FAQs and Tutorials.

How long does iZotope support its products?

Although we can’t guarantee it, we do our best to keep our products up to date with the operating systems and plug-in hosts that we support. Sometimes, other companies make changes that we’re not able to support, but we actively work with other companies to avoid these sorts of compatibility problems. We also do our best to address bug fixes within the product itself to ensure our products operate in accordance with our specifications.

We will provide software updates for 12 months from product release. After 12 months, no software updates will be provided.

For details on what operating systems and plug-in host software are officially supported for a product, please check that product’s Specs page.

Contacting iZotope Customer Care

For additional help with Nectar 3 Elements:

• Check out the Customer Care pages on our web site at www.izotope.com/support
• Contact our Customer Care department at support@izotope.com

iZotope’s highly trained Customer Care team is committed to responding to all requests within one (1) business day and frequently respond faster. Please try to explain your problem with as much detail and clarity as possible. This will ensure our ability to solve your problem accurately, the first time around. Please include all system specs and the build/version of Nectar 3 Elements that you are using.

Once your Customer Care request is submitted, you will receive a confirmation email from iZotope Customer Care. If you do not receive this email within a few minutes, please check your spam folder and make sure our responses are not getting blocked. To prevent this from happening please add support@izotope.com to your list of allowed email addresses.

International distribution

Customer Care is also available from our international distributors worldwide for any customers who purchased their iZotope products through a certified iZotope distributor.

Check with your local distributor for availability. If you would like help locating your local distributor please contact iZotope Customer Care.

Thanks for using Nectar 3 Elements!

-The iZotope Team

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